At last, two years in the making, the book I contributed to is finally out!

new perspectives on the history of facial hairPublished by Palgrave and edited by Jennifer Evans and Alun Withey, New Perspectives on the History of Facial Hair is an interdisciplinary exploration of the history of facial hair. The eight essays range in topic from beards in early modern portraiture, facial hair in post-war Britain, to facial hair on women. My chapter, “Combing Masculine Identity in the Age of the Moustache, 1860-1900” uses a moustache comb in the collection of the New-York Historical Society to discuss late nineteenth century standards of masculinity:

Sharon Twickler book excerpt

Basically, American men of Anglo-Saxon ancestry felt insecure about their masculinity in a rapidly diversifying America (sure sounds like present times, doesn’t it?). Darwin’s theory of evolution inspired debate about the meaning of facial hair – if beards represented man’s animal ancestry, then just how different were man and beast? Enter the moustache, a style of facial hair that balanced this conflict of barbarism verses civility. By having a moustache, a man demonstrated that he was manly enough to grow facial hair, yet civilized enough to subdue his inner beast. A moustache comb was a civilizing implement used to accomplish this middle ground. For a shorter, less academic version of my chapter, the crux of my argument is in my Atlas Obscura article, accessible here.

While this study began with the moustache comb in the New-York Historical Society, the one illustrated in this volume is not that exact comb. A few years ago I was fortunate to find an identical one on eBay (yay eBay!) and took my own photos for use in the book (yay to no rights and permissions headaches and fees!):

new perspectives on the history of facial hair comb

In the chapter I explore other moustache paraphernalia, such as the moustache cup:

new perspectives on the history of facial hair moustache cup

And also moustache spoons (I have yet to get one of those!), along with various patents for managing the moustache, like a moustache guard.

I can’t believe it’s been two years since I submitted the abstract for this project. The chapter is based on my master’s qualifying paper (MA, Bard Graduate Center 2013), so I’ve been deep into this subject for a few years now. Even though it’s a topic I’ve spent years thinking about, it was still quite challenging to present all my ideas in this manner. To see it in print is simply unreal and to say I’m ecstatic feels like an understatement! I am incredibly grateful for this opportunity and feel the need to share some acknowledgements:

First, thank you Jennifer Evans and Alun Withey for this amazing opportunity. 

My qualifying paper advisor Ivan Gaskell deserves many thanks for encouraging inquiry into this peculiar topic and enthusiastically guiding me through the research and writing process. I am fortunate to have attended an institution like the Bard Graduate Center that promotes such unique areas of study. I am also grateful to my classmates for their continued enthusiasm and support. 

I also owe gratitude to Margaret Hofer and Ted O’Reilly of the New-York Historical Society for their research assistance. I appreciate having access to closer inspection of the moustache comb and related archival material.

I also want to thank Jamie Eves for transforming my perception of the study of History as an undergrad at the University of Connecticut. When you began that first lecture with, “I will stand up here and tell you stories,” you sent me down a path I never thought to tread and I’ve never looked back.

Beecher Ogden I thank for donating his moustache comb to the New-York Historical Society. Who would have thought such a little thing could tell such a big story?

I would also like to thank all the bewhiskered men of the nineteenth and early twentieth centuries who dared to flaunt what nature gave them. To gentleman of the present, may you have the courage to take after your bearded and mustachioed forefathers in all your hirsute glory.

I thank my family for supporting my creative pursuits and seeking outlets for me to cultivate my strengths. I am grateful for the art lessons, the museum trips, and historic house tours, as they contributed greatly to my interest in material culture. I also appreciate how love of the written word was instilled in me at a young age. Amy, I’m sorry I don’t remember all of those library trips, but I know they’re behind the sense of wonder felt at the turn of every aisle and every page.